Flat Pack
Pete Hicks with Nick Magnus
Reviewed by Dave Shoesmith - CDS
Most
prog-rock
fans
will
know
of
Nick
Magnus
from
his
1999
album;
the
wonderful,
almost
all-instrumental,
synth/prog
crossover
that
is
‘Inhaling
Green’
(still
one
of
my
personal
all-time
favourites).
Then
you’ll
probably
remember
that
in
2004
came
the
equally
amazing
follow-up
‘Hexameron’
.
This
latter
of
the
two
albums
leaned
more
towards
the
Progressive
Rock
end
of
the
music
spectrum
and
featured
guest
vocalists
from
the
world
of
Rock
and
Prog
,
one
of
whom
was
Pete
Hicks
,
the
guy
who
was
the
vocalist
for
Steve
Hackett
’s
band
on
the
‘Spectral
Mornings’
and
‘Defector’
albums,
and
was
a
member
of
the
same
Hackett
touring
band
that
Nick
Magnus
was
such
a
vital
part
of
at
the
time.
For
those
unfamiliar
with
Pete
Hicks
’
voice,
you
have
to
think
loosely
along
the
lines
of
Paul
Carrack
meets
Colin Blunstone
.
Now,
although
what
we
have
with
‘Flat
Pack’
is
certainly
not
a
Prog
Rock
album
by
any
stretch
of
the
imagination,
(Prog
fans
DON’T
stop
here),
it
is
however
an
album
of
unbelievably
good
songs
-
quality
songs
with
a
capital
“Q”.
Each
and
every
one
has
a
strong
melody-line,
well
crafted
lyrics,
catchy
choruses,
middle
eights
and
everything
else
that
you
would
associate
with
a
good,
memorable
song.
These
songs
are
delivered
in
a
similar
style
to
that
of
90’s
Mike
and the Mechanics
, several of which have their roots fixed firmly in the past.
Pete
Hicks
penned
most
of
the
tracks,
with
Nick
Magnus
co-writing
two
and
composing
the
closing,
one
and
only
instrumental on the album.
Each
and
every
track
is
superbly
arranged/produced
(as
you
would
expect
when
Nick
Magnus
is
at
the
control
desk)
with the superb singing voice of
Pete Hicks
dealing with the lyrics and playing guitar.
Nick
Magnus
plays
keyboards
and
synthesizers,
and
practically
everything
else
you
hear
on
the
album
with
the
exception of one track where
Dik Cadbury
(
Steve Hackett Band
) plays bass and
Dave Storey
(
The Enid
) the drums.
If
you
bought
either
of
the
two
Nick
Magnus
albums,
then
you
obviously
like
a
good
tune,
and
that
is
what
you
get
with
‘Flat
Pack’
,
but
with
well-written
and
well-executed
lyrics
to
go
with
them.
If
like
me,
you
really
enjoyed
tracks
like:
‘Brother
Sun,
Sister
Moon’
from
Nick
’s
‘Hexameron’
,
then
you’re
certainly
going
to
enjoy
almost
everything
on
‘Flat
Pack’
as well.
Let’s briefly go through each of the tracks…
‘Outside
Looking
In’
is
a
catchy,
jaunty
type
of
song
with
a
well
crafted
and
stylishly
delivered
vocal
by
Hicks
and some amazingly slick keyboard work on organ with added brass sounds from
Magnus
.
‘Am
I
Fooling
Myself?’
is
a
catchy
pop
song
with
a
strong
Latin
American
feel
and
is
a
bit
90’s
Mavericks
meets 60’s
Dave Dee, Dozy Mick & Tich
!
‘The
Leaving
[Derek’s
Song]’
is
a
truly
beautiful
sentimental
song
that
opens
in
a
Celtic
atmosphere
with
the
sounds
of
"
Magnus
ized"
Uilleann
pipes,
which
bring
a
strong
feeling
of
melancholy
to
the
track
straight
away.
Once
into
the
vocal,
it
started
to
somehow
take
me
back
to
the
late
60’s
with
a
ballad
sung
in
a
style
of
one
of
the
big
torch
songs
from
someone
like
Dusty
Springfield
,
but
there’s
just
that
hint
of
Celtic
music
hidden
deep
in
the
arrangement
that
makes
it
different
again.
Hicks
delivers
a
truly
heartfelt
vocal
performance,
with
Magnus
adding
light
and
shade
with
superb choral backdrops that strengthen the feeling you are listening to an updated 60’s classic.
The
track
closes
with
the
truly
melodic
sounds
of
a
weeping
electric
guitar
solo
surrounded
by
organ
and
sweeping
symphonic
string
sounds,
and
when
the
Uilleann
pipes
appear
once
more,
only
to
then
fade
away
into
the
misty
horizon, there’s not a dry eye left in the house.
‘Just
Remember
Where
You
Heard
It
First’
is
a
real
toe-tapper
that
was
co-written
by
Nick
Magnus
,
coming
across
like
a
modern
Genesis
style
rock
song.
The
rhythm
section
of
Dik
Cadbury
on
bass
(
Steve
Hackett
Band
)
and
Dave
Story
on
drums
(
The
Enid
)
is
tight
and
driving,
while
the
chorus
is
catchy
and
extremely
memorable.
Magnus
’
lopping
synthesizers
take
a
strong
lead
here,
scorching
through
the
melody-line
at
pace
and
sounding
just
a
little
Tony
Banks
-ish in the process.